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“One day, everything will be, as it should be.” |
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July 19 2008 News Daniel Caux obituary There’s an obituary for Daniel Caux in today’s edition of Le Monde. *** July 16 2008 News Daniel Caux I received an email this morning from Guy Kopelowicz informing me that Daniel Caux died last week in Paris. At the moment I have no further details on this and there are no obituaries online but I felt I should acknowledge Daniel Caux’s contribution to the legacy of Albert Ayler as soon as possible. Without Daniel Caux The Last Album would be just that and Albert Ayler would have left the world with a whimper, not the blessed bang of the Nuits de la Fondation Maeght. Daniel Caux was the driving force behind Ayler's last recorded concerts in France in 1970 and their subsequent release on the Shandar label. There's also the interview he did with Albert (included in the Holy Ghost box set) which as well as providing Kasper Collin with material for My Name is Albert Ayler, also featured in the documentary made at the Fondation Maeght. Without Daniel Caux, our perception of Albert Ayler would be very different indeed. *** July 1 2008 News My Name Is Albert Ayler - Autumn 2008 release for DVD According to the website, Kasper Collin’s documentary, My Name Is Albert Ayler, will be released on DVD in the autumn (or the fall, as the Americans have it - anyway, “the season of mists and mellow fruitfulness, close bosom-friend of the maturing sun”). The site also has a new blog with all the news about the film and a comment facility which I couldn’t get to work. *** Ayler on NPR Thanks to John Vohs for letting me know about a brief piece about Ayler broadcast on National Public Radio on June 7th, which includes contributions from Kasper Collin, Marc Ribot and Vinny Golia. *** Fondation Maeght photos Steve Tintweiss is looking for photos of the Fondation Maeght concerts from the summer of 1970. Not necessarily just pictures of the Ayler band, but snapshots of the audience, the other concerts (Cecil Taylor, Sun Ra, Terry Riley), anything taken around that time at the Fondation Maeght. These days of course everybody carries a camera in their phone (except me, since I now seem to be living in the 19th century, quoting Keats and unable to work out how to post comments on a blog) but not so forty years ago. However, you’d think that there’d be some amateur snappers out there who’ve got a loft full of old photographs from St. Paul de Vence in the summer of 1970. If any of them read this, please get in touch. *** |
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The Golden Circle George Scala (who was a great help when I first began this site) let me know about this book, Den Gyllene Cirkeln: jazzen på 1960-talet, edited by Roger Bergner, which I’d not come across before. It’s a history of the famous Stockholm jazz club, the “Golden Circle”, published in 2002, and includes a dozen mentions of Albert Ayler and a couple of photos (the one featured on The Copenhagen Tapes CD and one of the poster for an Ayler gig in October, 1964). Unfortunately the book’s in Swedish but it does come with a CD featuring tracks by Dexter Gordon, Kenny Dorham, Bill Evans, George Russell, Ben Webster, Don Cherry and Lars Gullin. *** June 1 2008 News The Rare Music Curator I received the following email from Steve Tintweiss: “Found a music podcast series called The Rare Music Curator which puts together a variety of contemporary and historical audio programs featuring well known artists in live performances of little known or unreleased recordings monthly. Podcast #12 The American Avant Garde packs an hour of avant-garde jazz performances spanning the last 30 years of the 20th century into 7 selections. The web page sports a great photo of a smiling Albert Ayler, horn in hand. Plug in your headphones for maximum bliss. "Universal Message" was from the July 27, 1970 concert at the Maeght Foundation geodesic dome in St Paul de Vence in the South of France. That was our second concert there. It was also filmed in its entirety, along with interviews. It showed in Europe but never in the U.S. There were audio LPs and CDs released which contain this selection, and won many awards in France and Japan, but was not part of the Revenant Grammy nominated box set mentioned. The tenor sax playing is the pinnacle of melodic, intense virtuosity. This was one of Albert's tunes that I had never heard before, and never rehearsed with the band as a last minute call and an emergency passport got me and my bass on the plane and on the gig. Sound quality on all the tracks is good; the disclaimer clearly states that "This show is presented for historical and personal use only" while encouraging listeners to support the artists by buying their commercial releases. "Universal Message" is followed by an Anthony Braxton collaboration with the Art Ensemble of Chicago in 1984. The selections are all quite different. Sam Rivers leads a 1999 San Francisco performance melding acoustic instruments with electronics to complete the podcast. The purest free-form improvization is an amazing duet in London, also in 1999, of Cecil Taylor and Max Roach. This is all out kick-ass energy music at the highest level. Even knowing that these two icons had performed as a duo before, I was still astonished with just how free Max Roach could play his drum kit, with such abandon and conviction spurred on by the uncompromising Cecil Taylor. Give it a listen: Rare Music Curator presents podcast #12 The American Avant Garde There are social networking options available on the PodOmatic.com host site, but you do not have to sign up to listen to Rare Music Curator. Wishing everyone a productive and fruitful summer 2008. Enjoy. Thanks for your support, *** Holy Ghost bargains? ESP have knocked 20% off the price of the Holy Ghost box set and are now selling it for $79.99. However, checking that price against what’s available elsewhere I came across what I presume is a mistake. On Amazon marketplace - both the US and UK sites - DVDLegacy have the box set listed as $8.99 (£4.69). I have dealt with DVDLegacy before and they are genuine, but on their own site the set is $72.98, so, as I said this is most likely to be a simple mistake. However, I thought I’d mention it in case someone wants to put on their legal hat and go into battle. *** Jimmy Giuffre Apologies for the lack of any Ayler connection but I couldn't let the death of Jimmy Giuffre pass without a brief comment. Someone once asked me whether there was any other musician I would consider doing a website about and I immediately replied, "Jimmy Giuffre". I never attempted it, the task was too daunting, but I always felt Giuffre never really got the attention that he deserved. Like Ayler, his music was a thing of joy. There are plenty of obituaries online, including John Fordham's in The Guardian and Ben Ratliff's in The New York Times, and youtube has several clips. For me, that opening sequence of Jazz on a Summer's Day is the epitome of cool. *** May 1 2008 News ESP Releases ESP has re-released New York Eye And Ear Control and Don Cherry’s Live at Cafe Montmartre, 1966 Volume 2 which contains the “Suite for Albert Ayler”. |
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There’s a short article in The New Yorker online edition about Ayler and the new ESP releases. *** My Name Is Albert Ayler Kasper Collin’s film now seems to be heading down under with screenings booked at: 11th Revelation Perth International Film Festival 40th Auckland International Film Festival 37th Wellington Film Festival More dates have also been added in the U.S.: Jepson Center for the Arts, Savannah, Georgia. June 5th. *** April 17 2008 News Ayler film back in New York by public demand! Just received this Press Release from Kasper Collin’s crew: “My Name Is Albert Ayler was a major success when it had its New York theatrical premiere run late last year. Now it's back for five days of encore screenings. Opens Friday April 18 at Anthology Film Archives. Screens through Tuesday April 22 at 7.00 & 9.00. Additional screenings on Saturday and Sunday at 5:00.” |
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*** April 1 2008 News ESP Just finished listening to the 8 hour Albert Ayler tribute on ESP Radio - it’s a great introduction to the music of Ayler and contains some fascinating information about the early ESP recordings thanks to the interviews with Bernard Stollman. It does skirt a few issues at the end of Ayler's career (and includes the 'Airport Tape' for no apparent reason) but it includes Stollman's story of his last meeting with Albert and the 'gospel music tape'. I first heard about this from Remco Takken when he was working on the Calibre releases of the ESP catalogue and I added it at the end of the Unreleased page in the discography. I still can't decide whether this is a piece of myth-making on Mr. Stollman’s part - similar to Mary Maria's story of Albert sailing to the Statue of Liberty on his final journey - or whether it's true. But it did make me wonder why, considering the amount of research that went into the Holy Ghost box set and the rare recordings that were uncovered then, that nothing (apart from, maybe, the New Grass out-takes) seemed to come from what you would expect to be the most obvious source of unreleased material - Mary Maria herself. Anyway, pointless speculation on my part. There's more from Bernard Stollman in a long article in 801 magazine - “Resurrection of a Jazzman” by Jen Itzenson. *** My Name Is Albert Ayler Reviews of Kasper Collin’s film: Detroit Metro Times *** Marc Ribot’s Spiritual Unity Quartet I received an email from Margaret Davis Grimes which included a picture of the musicians’ passes for February’s Cite de la Musique festival in Paris. Margaret also added the following note: “And by the way, there were huge banners just like it hanging over the streets and boulevards all over that section of Paris. I can't tell you how wonderful it was to see and feel Albert in all his glory reigning over Paris, France!” |
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March 5 2008 News ESP Radio ESP have now put the other three parts of the Tribute to Albert Ayler on their site. *** March 1 2008 News ESP Radio The ESP site has a new feature - ESP Radio. This is currently running the first part of a tribute to Albert Ayler. It lasts for around 2 hours and, according to the presenter, Michael Anderson, is the first of four, so the whole thing will run for 8 hours (I guess you could have worked that out yourself). It makes use of the interviews in the Holy Ghost box set (which is now distributed by ESP) for Albert’s input but it also includes segments from Bernard Stollman and another star turn from Sunny Murray around the halfway mark. Lots of tracks (not just from ESP albums) and the story of Ayler’s musical development is dealt with in strict chronological order. It’s also nice to hear Michael Anderson confirm that the composition, “Witches and Devils” was written by Norman Howard. However, I wrote the above and then had a look round for more information - the ESP site is a bit lacking and I wondered when the next part was due - and I found the press release for the launch of ESP Radio on another site: _____ THE JANUARY 2008 ESP RADIO LAUNCH PRESS RELEASE Dear Friend, _____ So now I’m not sure whether I’ve missed the other parts of the Ayler tribute, or whether Mr. Stollman’s original plans have gone a tad awry. I’ll keep an eye out, since judging by this first instalment, this is a very well-produced feature and it’ll be interesting to know what Michael Anderson thinks of the late Impulse period. I also couldn’t find any way to download the thing - but that could just be me (my technical expert is away at the moment). * ESP April Releases New York Eye And Ear Control is scheduled for re-release in April, according to the ESP site. The second volume of Don Cherry’s Live At Cafe Montmartre 1966 is also on the list and, if this corresponds to the Magnetic Records release (MRCD 112), it should contain the Suite For Albert Ayler, which I featured on this site in 2006. *** My Name Is Albert Ayler I mentioned the US screenings for March last month but the film’s website has more information about which will be attended by Kasper Collin, as well as links to the various venues - click the News section on the site. An additional date has been added for the US - the film will return to the Anthology Film Archives in New York from 18th to 22nd April. The website also has a link to a review of the film in The Nation by Nick Stillman, entitled “An Ayler in My House”. It’s a nice piece and I have to thank David Mittleman for first alerting me to it. *** Healing Force There’s a clip of Healing Force performing Ayler’s “Love of Life” at the Climate Theatre in San Francisco last month on youtube. *** Hatology 617 I’ve now found the listing for Albert Ayler - Berlin, Stockholm 1966 (Hatology 617) on the HatHut site as an upcoming release. No more details as yet. *** February 1 2008 News Marc Ribot’s Spiritual Unity Quartet Marc Ribot’s Spiritual Unity, with Marc Ribot (leader, guitars, voice), Roy Campbell, Jr. (trumpets), and Chad Taylor (drums), and featuring Henry Grimes (double-bass, violin), on tour in Norway, Denmark, Turkey, Switzerland, and France: Friday, February 1st: concert at Sardinen USF in Kulturhuset USF, Nordnes, Georgernes Verft 3, Bergen, Norway, 1O p.m. |
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My Name Is Albert Ayler No further news on the DVD, but the film’s website has the following screenings listed: Belgium: U.S.: U.K. *** Hatology 617 Redesigning the What’s Available page (see below), I came across a mention of this item: Albert Ayler - Berlin and Stockholm 1966 (Hatology 617). There’s no reference to it on the official Hathut Records site either as a current or future release, but the Downtown Music Gallery has it listed as available for pre-order. I first heard about this back in March 2005 but I’ve seen nothing since. Whether this is just a glitch in a database, or whether a new Ayler CD is on the way, I don’t know, but I’ll keep watching the skies. *** Abraxas sampler Back when Hathut announced a new Ayler CD, ESP also announced an Ayler box set - Holy Ghost had just been released and Albert Ayler was flavour of the month. The ESP box never materialised, but Abraxas, the one-time Italian licensee of ESP rushed out their own 4 CD box, The Complete Esp Disk Recordings much to Bernard Stollman’s chagrin. I’ve just come across another Abraxas repackaging enterprise, a sampler entitled The Old New Thing: A Free Jazz Anthology, a 2 CD set with a book and fancy sleeve, containing two tracks from Spiritual Unity. More details available on the Jazz Loft site and here’s a picture: |
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News of the Site What’s Available Finally got round to redesigning the What’s Available page. When the site started it was easier to pin down what Ayler albums were in the shops, but now, with ebay, Amazon marketplace, specialist stores and download sites, who knows what you can get hold of? My monthly update of what you could buy from Amazon and the rest seemed a bit redundant, so I’m abandoning that and I’ve changed the page to a list of what appears to be generally available, which I will update as the need arises. I don’t like to make definitive statements about which Ayler records you can get and which you can’t because someone will point out they came across an original copy of Something Different!!!!!! in HMV up Hanley, but it seems to me that the following Ayler albums have now slipped out of the regular catalogue: *** January 20 2008 News Don Ayler article in the Cleveland Plain Dealer The response of the Press to the death of Donald Ayler last October was, to put it mildly, disappointing. Aside from Val Wilmer's obituary in The Guardian there was nothing in the mainstream newspapers, and, most surprising of all, no mention of Don's passing in the Cleveland Plain Dealer. So, it's good to report that the Plain Dealer has finally made up for its earlier omission with an excellently researched article by Tom Feran. The article is available on the paper’s main site, but is also available in its music section which contains a link to the Cleveland La Cave version of ‘Our Prayer’ from the Holy Ghost set. There’s also a link to the ‘My Name Is Albert Ayler’ site, which contains the tantalising comment, “coming on DVD”. And that’s what it now says on the Shop section of the site: “It’ll soon be possible to preorder the DVD on the website. More news on this shortly.” *** January 1 2008 News |
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Kees Hazevoet pointed out to me that the picture of Albert, above, which was included in the issue of JazzFlits which carried Don’s obituary, was taken on the day of John Coltrane’s funeral. *** My Name Is Albert Ayler - a report from Steve Tintweiss Steve Tintweiss, bass player on the Fondation Maeght sessions, attended the recent showings of Kasper Collin’s My Name Is Albert Ayler in New York, and sent me this account of his initial reactions to the film. “Season's Greetings! As we begin the New Year I would like to encourage everyone to see the Swedish documentary film “My Name is Albert Ayler” if it comes to a city near you. The American tour continues in 2008 with showings in Los Angeles starting on March 7th with additional screenings in Portland, Detroit, Philadelphia, San Francisco, Ann Arbour, and additional locations t.b.a. There are also current year end repeat showings at the Institute of Contemporary Arts “Documentaries of the Year” series of eight films screening at the ICA Cinema in London. The URL link for the film’s website is below. Click the “News” tab for updates: http://www.mynameisalbertayler.com/ The U.S. Theatrical Premiere Run took place at the Anthology Film Archives in New York City November 8 through 14 to mostly sold out audiences and critical acclaim. As mentioned on the website, filmmaker Kasper Collin was present each night, and held Q & A sessions after each evening’s first screening, as well as presenting short introductions beforehand. Indeed, fellow bassist Bill Folwell was present for the premiere, coming up from Florida with his daughter and son-in-law. Bill and I took part in the Q & A after the premiere. There were some impromptu photos and brief video shots with the filmmaker. ESP Disk founder Bernard Stollman was present as well. I also attended the first of two sold-out shows at their smaller theater on November 13, and again participated in the post screening discussion. This is an excellent documentary covering his brief recording career starting in Scandinavia in the early 1960’s. The dearth of available concert footage is skillfully supplemented with still photos, period scenes, audio interviews and music montage material mixed in. While the film as a whole is quite inspirational and accurate, there are a few disappointing shortcomings. My only criticism is related to the incomplete, and somewhat confusing identification of the musicians and locations starting mid-point in the film. After we’ve all been spoiled by the extremely thorough documentary details in the Grammy nominated Revenant “Holy Ghost” audio box set, there are facts which need to be identified for Ayler scholars and fans. All musicians were dutifully identified until a concert photo of the band is shown over the music soundtrack, where drummer Beaver Harris is not credited along with the other members. Details toward the end of the film are also omitted or potentially misleading. There are two short segments from the July 27, 1970 Maeght Fondation concert where live music is mixed with other recordings as well as voice-over interviews. Only Albert and Mary Maria Parks are identified. While singer Mary Maria is shown sitting on the stage, radiant…blissful, but not performing, there are clear action shots of pianist Call Cobbs and drummer Allen Blairman performing. Yours truly, Steve Tintweiss, is briefly shown playing arco bass, but the soundtrack is a collage mix from an earlier Ayler band. The second brief clip from the Maeght Fondation has an intense capture of Albert Ayler singing “Thank God for Women” then taking a funky tenor saxophone solo. This was my favorite performance of our brief tour in the South-of-France, and is a track that has been previously unreleased on any of the award winning albums on vinyl or CD. There is a nice shot of me plucking behind Albert. During that section there is a voice-over with subtitles interview with Bill Folwell describing how Albert's rock-and-roll arrangements were an attempt to reach a wider commercial audience. This faded into a few more seconds of the Maeght performance when English subtitles appear that state that Albert Ayler recorded “New Grass” for Impulse records to begin that commercial (and implied final) phase in Albert’s career. These are misleading statements as edited in the particular scene since the music underneath is widely acknowledged as Albert Ayler’s final return to his rhythm & blues, and free jazz roots, and a break from his late Impulse commercial rock oriented period. It also may confuse many viewers into believing that the bass player in the scene is actually Bill Folwell some 37 years ago and not myself, since none of the sidemen are identified. However, the hint of the powerful music performance excerpts leads one to hope for the overdue worldwide release of the full-length concert footage of the limited European release French documentary film (“Albert Ayler: Le Dernier Concert” directed by Jean-Michel Meurice) of the music and interviews from that final concert performance which was shot live in the geodesic dome atop the mountain outside St. Paul de Vence. Only a portion of the informal set at the Vacation Village Tourisme a couple of days later on the premises where we were staying survives in audio, which was included in the box set as Albert Ayler’s final known recordings. There was one more concert in Springfield, MA after we returned; no known recording exists from that performance. I spoke with violinist Leroy Jenkins about that final performance on a few occasions, including shortly before his death last year, since I wasn’t present on that gig. Thus, the French documentary movie of the second Maeght Fondation performance represents the last known repository of previously unreleased Albert Ayler performances that we can hope will be made available soon. Best wishes for a healthy and Happy New Year 2008 to all. Steve Tintweiss December 29, 2007 Fresh Meadows, New York City.” * My Name Is Albert Ayler - 2 More news of the film on the website’s news page, including the startling headline: “My Name Is Albert Ayler recommended by Viggo Mortensen”. There’s also a review on the Talking Pictures site which I don’t think I’ve mentioned before. *** Obituaries The JazzHOUSE.org site (official website of the Jazz Journalists Association) has an obituary of Don Ayler in its Last Post section, under the title, “Reclusive Trumpeter”. On a personal note I’d also like to mark the passing of Oscar Peterson on December 23rd. I don’t usually mention the deaths of jazz musicians unless they had some connection with Albert Ayler. Oscar Peterson had none. But it was hearing a track from his LP, “A Jazz Portrait of Frank Sinatra”, on the wireless back in 1964 that initially sparked my interest in jazz. *** New Additions to the Site Last year’s ‘What’s New’ page has been archived and the What’s Available page has been updated for January. *** This site went online in June 2000. The ‘What’s New’ pages from previous years are available below: *** If you have any information about Albert Ayler (new CD releases, unreleased recordings, personal reminiscences) or if you can fill in any of the gaps in the discography, or correct any mistakes on the site, then email me, Patrick Regan. The Message Board is for those wishing to discuss aspects of Ayler’s life and work, so post your topics there. That’s also the best place if you have any questions about Albert Ayler that aren’t covered on this site. Hopefully the real Ayler experts (I’m just a fan) will stop by and give you the answers. Finally, if you just want to make a brief comment about the site, I’ve added a Guestbook. |
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